What Makes Brachish Run?

Scattered points of interest slapped down on the page like a fictional hooker slapped down by her pimp...

Yes, it's true—I haven't posted on this blog for a long time (regrettably) and I won’t have time to post much in the near future.

I’ve been too busy with work crap (one day I might have to rant here about how ridiculously low-paying the publishing industry can be, and how outrageous it is that the media world can get away with screwing so many people out of overtime pay), I'm constantly noodling with a screenplay in my spare time, and I’ve been spending inordinate amounts of time losing money by investing what little capital I have in companies like the following: AMRE, DWCH, KNOS, ICMH, NNOS, and WDAM (all of which have serious, exponential growth potential—if they don’t go of out of business first—and are currently available at knock-on-wood “rock-bottom” prices, meaning they’re highly speculative penny stocks and could very well ruin me if they don’t kick it in gear soon. These are mostly cutting-edge technology companies with ideas that caught my eye first, my imagination second, and my wallet last).

I've linked some of my favorite stock-research websites on the sidebar of Celebrity Cola, so have a look if you have a thirst for high-stakes gambling.

Anyway, lately I’ve been listening to a lot of Brendan Benson, New Pornographers, Matisyahu (the Hassidic-convert reggae rapper-singer), the new Gorillaz album (not as catchy as the first album, but a good record nonetheless), and Aussies like The Waifs and Missy Higgins. I’ve also rediscovered the joys of old Missy Elliot, and I finally got a copy of “Without Earth and the Moon” by The Moon and “Resurrection” by the Aerovons (both very good, if not as mind-blowing as I’d hoped considering the high-pedigrees and/or amazing origin stories behind these almost-lost masterworks).


I’ve fallen behind when it comes to seeing current films, but on the comic-book front I finally got around to reading some of the graphic novels collecting the work of Peter Milligan (writer), Mike Allred (primary artist), and Laura Allred (colorist) on the 2000-2004 X-Force/X-Statix run. Others have said it before, but I’ll reiterate: Stupendous art; cynical but emotionally and socially relevant story; unarguably violent, sexy, smart, and funny. This is unlike any X-Men-related comic you’ll ever read, it’s a limited commitment of your time (since it has a clear beginning and end), and it’s just a beautifully done piece all in all. Don’t miss it. Wait till you see what happens to the rambunctious Edie Sawyer/U-Go Girl. You'll cry like a baby. Great news: the X-Statix (aka, X-Statics) are being brought back in small doses with X-Statix Presents: Dead Girl and Mike Allred has a few cool projects in the works, including his groovy issue of DC's Solo (out now!).



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I came across this Warhol-inspired piece of pop art by an artist named Euria, and since it’s related in name and theme (in a way) to this Celebrity Cola blog, I thought I’d share the image here:


Celeb-Cola (pop art by Euria)

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This month’s Shout-Outs go to: Wendy (Tales From the Dorkside and Film Geeks 2.0), Eric Berlin (Dumpster Bust), Sequential Tart, my old pal Susan, and the new Google Blog Search.

And Will Brady recommends CronyJobs.com.

Now please go and visit the Church of the Flying Spaghetti Monster, which notes the important fact that "global warming, earthquakes, hurricanes, and other natural disasters are a direct effect of the shrinking numbers of Pirates since the 1800s." It's the truth!

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This makes me blush: "... Several months ago, one of the most talented and creative members of the blogging community had featured Alexa's site in a posting. Lucas Brachish is the pseudonym used by a magazine editor and well-known, published writer, living in New York city...." -- David Harper, SpaceCoastWeb (Sunday, October 9, 2005)

Nice, right? But even better yet, this quote is from another fine and informative SpaceCoastWeb blog article, "A nod to link exchange schemes." Disclosure: I lived in Florida for many, many years, and I love checking out Mr. Harper's SpaceCoastWeb for news on my old state, as well as insightful and literary posts involving everything under the sun of the ol' planet Earth. (For instance, SpaceCoastWeb turned me on to the Eggcorn Database, another site worthy of multiple visits.)

Hotel Lights: Whatever happened to the rest of Ben Folds Five and whatever and amen

Ben Folds Five. Now there was a good band. Like Cold Play but with more sweat and vigor. Like Elton John without the funny clothes and cutesy ballads.

But ol' Folds married an Aussie and moved Down Under (they grow the best women down there, don'tcha know), leaving his band and country behind. He continued to pump out great material -- a couple of solo albums, a live album, various online-only EPs, singles, experiments, and weirdness (the Three Bens, anyone?) -- but seemingly avoids the nonstop full-on glare that the global media has to offer. No über-popstar status for Folds, not when he can stay indie, quirky, and relevant without totally giving up on the cash that a major label has to offer. Famous-but-not-too-famous seems right up his alley.

Which is fine by me, although I would like to see him do a follow up to his "Fear of Pop, Volume 1" brilliant space oddity album that featured your favorite actor and mine, William Shatner.

(Actually, Ben Folds produced and played on William Shatner's crowning musical achievement, Has Been in 2004, so let's not stress, eh? And while I'm on the subject, I should say, in all earnestness, that Has Been is staggering. Grand. Magnifico. Just listen to the first track -- a Shatner duet with pop-punk icon Joe Jackson, covering Pulp's "Common People" -- and try not to dance like a madman, even if you loath Star Trek. It's that damn good. Listen to it with headphones for pure stereophonic bliss. Even the Pitchfork snobs are in awe.)



Still, I sometimes wonder what happens to the less famous members of eponymous bands when their fearless front men go off on their own. What happened to the Stooges in those years without Iggy Pop? Where went the Attractions and the Revolution without Elvis Costello and Prince? And what happened to the two men who weren't Ben Folds that helped make up the Ben Folds Five trio?

That last question I can kinda answer: bassist Robert Sledge moved back to North Carolina where he's supposedly playing with a couple of different bands and helping produce local acts; at one point he belonged to Nut Magnet with ex-Squirrel Nut Zippers Tom Maxwell and Ken Mosher; later he joined International Orange as a bassist-songwriter (alongside musicians Snuzz, Django Haskins, and Jason Fagg), but that band broke up in 2004. Drummer Darren Jessee has formed a smooth new band of his own, the Hotel Lights: the band is obscure right now, but their songs are kinda catchy. If you like Ben Folds and mellow indie guitar pop, then you'll dig the Hotel Lights.


I've written the following Hotel Lights article with a friend of mine. We plan on posting it to Wikipedia later, and Wikipedia can claim all rights to it... but you, dear readers, get the first look:


Hotel Lights

Indie pop band Hotel Lights was founded by Darren Jessee in 2003 (approximately) in Chapel Hill, North Carolina -- the city where, not coincidentally, Ben Folds Five originally formed in 1994 as a trio consisting of Jessee, songwriter-pianist Ben Folds, and bassist Robert Sledge, along with various songwriting partners.

Jessee, the drummer and one of the principal songwriters for Ben Folds Five, initially pursued a solo career as a singer-songwriter in New York City after BFF broke up in 2000. However, seeking to flesh out the material that he'd been developing on his own, he then decided to create a full-fledged band, Remover, which was quickly renamed Hotel Lights.

On the band's website, Jessee obliquely describes the concept behind the band's name by saying, "...when you see hotel lights in the distance you feel like 'yeah, I'm almost there', but when you stand in the bathroom and turn on the hotel lights, they are fluorescent and you see every scar."

The band's original lineup consisted of Jessee on lead vocals and guitar, former Archers of Loaf drummer Mark Price on drums, Roger Gupton on bass and vocals, and Chris Badger playing keyboards and guitar. Sound engineer Alan Weatherhead (The Comas, Sparklehorse, Camper Van Beethoven, Mary Timony) recorded the band's first album and their follow-up EP; he also performs pedal steel and guitar with Hotel Lights on occasion. Adam Schlesinger (Fountains of Wayne) and others have also made sonic contributions.

As of 2005, the band had not been signed by a major label and was distributing their albums primarily through indie music retailer CD Baby, which files the band under the heading of "alt pop songs, acoustic guitar, lush keyboards." The official band website draws comparisons between Hotel Lights and Nick Drake, Court and Spark, and The Band.

Hotel Lights had its first full-length release in the autumn of 2004. The self-titled album -- recorded at Sound of Music studios in Richmond, VA -- contained the following tracks (all copyrighted by Hair Sucker Songs):

1. You Come and I Go
2. A.m. Slow Golden Hit
3. Miles Behind Me
4. I Am a Train
5. Small Town Shit
6. What You Meant
7. Follow Through
8. Stumblin' Home Winter Blues
9. Marvelous Truth
10. The Mumbling Years
11. Anatole
12. Motionless
13. Love to Try


Related Links:

Official Hotel Lights band page

CD Baby Hotel Lights band page

Chris Parker's Independent Weekly "Homebrew" album review

Jason Warburg's Daily Vault album review

Darren Jessee's home page

Kitchen Mastering studios discusses the mastering of the 2005 Hotel Lights EP

Darren Jessee info is revealed in "Joey's Guide to Ben Folds Five B-Sides and Rarities"

Done Waiting's Darren Jessee update, "What's Up, Darren Jessee, Former Drummer of Ben Folds Five?"

Info on the lost Ben Folds/Darren Jessee collaboration, "Wandering," now part of the Ben Folds Speed Graphic EP.